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Takanakuy (Chumbivilcas Province, Peru) [25th of December]



Takanakuy (Quechua for "to hit each other") is an annual established practice of fighting fellow community members held on 25 December, by the inhabitants of Chumbivilcas Province, near Cuzco in Peru. The practice started in Santo Tomás, the capital of Chumbivilcas, and has now spread to other villages and cities, the prominent ones being Cuzco and Lima. The festival consists of dancing and of individuals fighting each other to settle old conflicts or simply to display their manhood.





There are five types of traditional 'characters' portrayed during the ceremony that have different roles based on Andean cultural symbols. The majority of the dress is based on traditional horse-riding gear and brightly colored Peruvian ski masks, which are characteristic of the specific regional area. The ski masks are not all the same: they have different colors, different designs, and different textile patterns to make money.


The procession to the fighting site starts with a high-pitched falsetto, a method of voice production used by male singers, especially tenors, to sing notes higher than their normal range, through the streets. The procession is family oriented as a preparation for the young children who will see the violent fights later on in the day. Children also dress up for the occasion, usually resembling their father's character.

The purpose of the fighting is to settle conflicts with an individual, friend, family member or to settle territorial conflicts that have come up throughout the year. The style of fighting used during the celebration is relatively similar to martial arts, which involves kicking, punching, and quickness of their movements.

Those fighting call out their opponents by their first and last name. They then proceed to the middle of the circle and start the fight. The men fighting must wrap their hands with cloth before the fight. Biting, hitting those on the ground, or pulling hair is not allowed during the fight. The winner is selected based upon a knockout or intervention by the official. There are amateur officials who carry whips in order to maintain the crowd under control. At the start and at the end of the fight, the opponents must shake hands or give each other a hug.

If the loser of the fight disagrees with the outcome, he or she can appeal for another fight. This type of fighting also exemplifies one's level of manhood in the community of Santo Tomás.


The type of music played during the ceremony is known as waylilla or wayliya. This music originated in 1960 as part of the Taki Unquy ideological resistance movement. The lyrics in waylilla center around the repeal of authority, confrontation, and freedom. The chorus is repeated in a loop endlessly throughout the procession to the town's center. Indigenous people believe that dancing waylilla will transform them into a new person.


There are preliminary drinking days before the celebration. On the day of the celebration the people of the community get together, have breakfast at the local church and drink before the fighting starts. After the fight, fighters will drink more alcohol to numb the pain endured during the fight.


The main celebration happens in the Peruvian Andes in the province of Chumbivilcas which has a population of approximately 300, but during the celebration about 3,000 gather to watch the fights. There is a second celebration that takes place the day after Christmas in the village of Llique, located in the province of Cuzco. This is where the best fighters of multiple indigenous villages congregate to release negative pent-up energy between the strongest men, women, and even children. There is no police, no military service and no government service in these communities. The celebration of Takanakuy has now diffused to urban setting such as Cuzco and Lima.


The established indigenous practice takes place on December 25 or, as some others see it outside of the indigenous community, Christmas Day. A teacher from the local indigenous community of Santo Tomás points to the significance of having such violent ceremony on a perceived peaceful day. "There's social meaning to it. Precisely that of settling conflicts, and also as a form of social catharsis."




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